© » KADIST
Edgar Arceneaux
Drawing & Print (Drawing & Print)
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat. In 2006, it was included in the exhibition, Alchemy of Comedy…Stupid at Artpace in San Antonio where Arceneaux explored the links between the medieval practice of alchemy and contemporary comedy. However, his particular image of the wheelchair is tragic, since it refers specifically to the comedian Richard Pryor, who became temporarily wheelchair-bound after being severely burned from drug use, and died prematurely of a heart attack in 2005.
© » KADIST
Brian Bress
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape. As the video progresses, however, a disembodied hand begins to move these forms, animating a pictorial frame that was previously still. The hand – ostensibly the “arranger” of the works title – functions as a metonym of the artist’s hand, quite literally bringing a motionless work to life.
© » KADIST
Trisha Donnelly
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
© » KADIST
Mark Bradford
Drawing & Print (Drawing & Print)
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series. It’s contrasting dark and vibrant tones presage his later series of works, exhibited at L. A.’s Hammer Museum as Scorched Earth. These larger works share a map-like quality, looking like aerial views of some scarred urban landscape.
© » KADIST
Barbara Bloom
In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom. The artist found the image to be typically Parisian. The watercolor, framed under a mat made of cardboard, had color tests on its margin, elements that Bloom discovered when she raised it.
© » KADIST
Andrea Bowers
Drawing & Print (Drawing & Print)
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.
© » KADIST
Walead Beshty
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
© » KADIST
Walead Beshty
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
© » KADIST
Mario Ybarra Jr.
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach.
© » KADIST
Juan Capistran
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.
© » KADIST
Ed Ruscha
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
© » KADIST
Allan Sekula
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.
© » KADIST
Piero Golia
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace.
© » KADIST
Andrea Bowers
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.
© » KADIST
Chadwick Rantanen
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside.
© » KADIST
Martine Syms
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.
© » KADIST
Juan Capistran
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami. From left to right, each bill is progressively folded up, step by step, into the shape of a gun. Both a scream and a whisper are capable of conveying the same content, if at drastically different decibels, the artist proposes.
© » KADIST
Edward Kienholz
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.
© » KADIST
Clarissa Tossin
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry. When his rubber trees died from disease and his primarily indigenous workforce revolted, his enterprise went busts within a few short years. Ford never faulted his own planning, but instead blamed the “inhospitable” Brazilian landscape.
© » KADIST
Luisa Lambri
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.
© » KADIST
Julian Hoeber
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.
© » KADIST
Mungo Thomson
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.
© » KADIST
Mungo Thomson
Drawing & Print (Drawing & Print)
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.
© » KADIST
Juan Capistran
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
© » KADIST
Jeff Burton
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity.
© » KADIST
Catherine Opie
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.
© » KADIST
Charles Gaines
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object.
© » KADIST
Karl Haendel
Drawing & Print (Drawing & Print)
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor. The series riffs on previous investigations by the artist such as his meticulous depictions of masculine political figures, which included a headless J. Edgar Hoover and a Hitler head floating vulnerably in the center of a white expanse (Hitler’s iconic mustache was crafted from the artist’s pubic hair). Rendered in soft graphite, the imposing Knights embody the ostensibly conflicting ideals of chivalrous deference and invulnerable masculinity.
© » KADIST
Clarissa Tossin
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture. By re-appropriating the structure as a temple and imbuing it with a dance performance based on movements and postures found in ancient pottery and murals, the choreography takes its influence from the house’s design and the body positions on ancient Maya ceramics and buildings. A pulse, breathing, and a pre-Columbian clay flute are among the sounds on the soundtrack.
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
Mungo Thomson
- location: Los Angeles, California
- year born: 1969
- gender: male
- nationality: American
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Miljohn Ruperto
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: Filipino and Danish
- home town: Manila, Philippines
Walead Beshty
- location: Los Angeles, California
- year born: 1976
- gender: male
- home town: London, United Kingdom
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Chris Johanson
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: San Jose, California
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
Luisa Lambri
- location: Los Angeles, California
- year born: 1969
- gender: female
- nationality: Italian
- home town: Como, Italy
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Mark Grotjahn
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: Pasadena, California
Andrea Bowers
- location: Los Angeles, California
- year born: 1965
- gender: female
- nationality: American
- home town: Wilmington, Ohio
Carter Mull
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Jedediah Caesar
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: American
- home town: Oakland, California
Clarissa Tossin
- location: Los Angeles, California
- year born: 1973
- gender: female
- nationality: Brazilian
- home town: Porto Alegre, Brazil
Jeff Burton
- location: Los Angeles, California
- year born: 1963
- gender: male
- nationality: American
- home town: Anaheim, California
Ron Terada
Ron Terada belongs to a generation of Vancouver-based artists that follows the well-known Vancouver School of photoconceptualists which includes Jeff Wall, Stan Douglas, and Ian Wallace...
Nathan Mabry
- location: Los Angeles, California
- year born: 1978
- gender: male
- nationality: American
- home town: Durango, Colorado
Julio Cesar Morales
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: Mexican
- home town: Tijuana, Mexico
Ben Shaffer
- year born: 1924
- gender: female
- nationality: Canadian
- home town: Louiseville, Canada
Tuan Andrew Nguyen
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
Sarah Conaway
- location: Los Angeles, California
- year born: 1972
- gender: female
- nationality: American
- home town: York, Pennsylvania
Charles Gaines
- location: Los Angeles, California
- year born: 1944
- gender: male
- nationality: American
- home town: Charleston, South Carolina
Julian Hoeber
- location: Los Angeles, California
- year born: 1974
- gender: male
- nationality: American
- home town: Philadelphia, Pennsylvania
rafa esparza
rafa esparza is a multidisciplinary artist whose work reveals his interests in history, personal narratives, kinship, colonization, and the disrupted genealogies it produces...
Trisha Donnelly
- location: New York, New York
- year born: 1974
- gender: male
- nationality: American
- home town: San Francisco, California
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
© » ARTNEWS
about 3 months ago (02/12/2024)
Christie's LA to Mount Exhibition of Andy Warhol's 'Screen Tests' Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 11:22am Andy Warhol, Jane Holzer [ST144], 1964...
© » THEARTNEWSPER
about 3 months ago (02/09/2024)
30 archaeological artefacts returned to Mexican authorities in Los Angeles ceremony Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news 30 archaeological artefacts returned to Mexican authorities in Los Angeles ceremony Objects ranging from the 1st century to the 15th century were handed over at the Mexican consulate in Los Angeles earlier this month Benjamin Sutton 9 February 2024 Share An elaborately rendered ceramic figure that was handed over to Mexican authorities in Los Angeles on 1 February Mexico Ministry of Culture Anthropomorphic ceramic figures, necklace beads, vessels and more archaeological objects were turned over to Mexican authorities, including the country’s visiting secretary of foreign affairs, Alicia Bárcena Ibarra, during a ceremony this month at Mexico’s consulate in Los Angeles...
© » THEARTNEWSPER
about 3 months ago (02/05/2024)
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...
© » ARTSY
about 3 months ago (02/02/2024)
Why These Galleries Are Betting on Los Angeles’s Expanding Art Scene | Artsy Skip to Main Content Advertisement Art Market Why These Galleries Are Betting on Los Angeles’s Expanding Art Scene Maxwell Rabb Feb 2, 2024 6:47PM Ameh Egwuh Calm (burning chair) , 2023 Rele Price on request Xiyao Wang Liang Xiao Yin No...
© » MODERN MET ART
about 3 months ago (01/30/2024)
New Exhibition Merges Pokémon with Japanese Craft Home / Art Unique Pokémon Exhibit Made With Traditional and Contemporary Japanese Craft Techniques By Margherita Cole on January 30, 2024 Photo: ©JAPAN HOUSE Los Angeles Since its debut in 1996, Pokémon has become a fixture of pop culture...
© » FAD MAGAZINE
about 3 months ago (01/26/2024)
Frieze reveals shortlist for Frieze Los Angeles Film Award - FAD Magazine Skip to content By Mark Westall • 26 January 2024 Share — Frieze has revealed the eight emerging filmmakers shortlisted for the 2024 Deutsche Bank Frieze Los Angeles Film Award...
© » WHITEHOT
about 5 months ago (12/18/2023)
Steven Seidenberg: The Residue of Life & The Architecture of Silence advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Steven Seidenberg: The Residue of Life & The Architecture of Silence Shinjuku #3, Tokyo Tape...
© » WHITEHOT
about 5 months ago (12/12/2023)
Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...
© » ART & OBJECT
about 5 months ago (12/12/2023)
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » MUTUALART
about 5 months ago (12/12/2023)
The Los Angeles-based artists paints dark scenes of a society destined for doom, all the while selling his art to the subjects of his creations....
© » OBSERVER
about 5 months ago (12/06/2023)
Interview: Rick Garzon of Residency Art Gallery | Observer Rick Garzon is not your typical art world founder...
© » GALERIE MAGAZINE
about 5 months ago (12/04/2023)
From New York to Los Angeles, 8 Must-See Solo Gallery Shows in December - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Arghavan Khosravi: True to Self" at Rachel Uffner Gallery...
© » ROYAL ACADEMY
about 7 months ago (10/05/2023)
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
© » ART AND CAKE
about 8 months ago (08/30/2023)
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » ART AND CAKE
about 8 months ago (08/30/2023)
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » ART AND CAKE
about 8 months ago (08/30/2023)
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
For Muzeo, a publicly funded museum in downtown Anaheim, and for actor and art collector Cheech Marin, it’s a take two....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Robert Rifkind, philanthropist and "game-changing" collector of German Expressionist works, has died....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The Marciano Art Foundation opened in 2017 as L...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
How the Rich Get Spending Money: Locking Fine Art in Storage and Borrowing against It - via Los Angeles Times...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Jonathan Pessin has stuffed his apartment with the fruits of his obsessive search for the “best, weirdest version” of seemingly everything....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Madonna, Fervent Fan of the Life and Works of Frida Kahlo - via Los Angeles Times...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The Los Angeles home of Arthur Lewis, creative director of UTA Fine Arts and UTA Artist Space, is a showcase of influential artists of the African diaspora....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Los Angeles billionaire Eli Broad, an influential and philanthropist who opened a namesake museum for his art collection, is dead at 87....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Artists Marisabel Bazan and Lisa Schulte open up their Los Angeles home, where their California-led art collection includes works by friends, inspirations and themselves....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Collector's Eye: an interview with Wallis Annenberg - via The Art Newspaper...
-
1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
-
1970-1979
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Daniel Joseph Martinez
1978For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
Antonio Ole
1978Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence...
-
1980-1989
Charles Gaines
1980To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Edward Kienholz
1984Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
Catherine Opie
1987In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
-
1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Catherine Opie
1993Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
Barbara Bloom
1997In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...
John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
-
2000-2009
Chris Johanson
2000Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
William E. Jones
2000His series, The Golden State, harkens back to his early career and his photographic training...
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Mark Grotjahn
Drawing & Print
2002(Drawing & Print) This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Chris Johanson
2004Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
Juan Capistran
2005White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
Edgar Arceneaux
Drawing & Print
2006(Drawing & Print) Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Piero Golia
2007Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Luisa Lambri
2007Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Luisa Lambri
2007Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Diana Fonseca Quiñones
2007In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction...
Ben Shaffer
2007Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Mungo Thomson
Drawing & Print
2008(Drawing & Print) The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Dinh Q. Lê
2008Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Ron Terada
Drawing & Print
2008(Drawing & Print) The three Maiko s were included in Ron Terada’s 2008 exhibition, Voight–Kampf , at Catriona Jeffries gallery...
Mario Ybarra Jr.
2009Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Miljohn Ruperto
2009Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
Jedediah Caesar
2009For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Doug Aitken
2009The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
-
2010-2019
Andrea Bowers
Drawing & Print
2010(Drawing & Print) The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Chadwick Rantanen
2010Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
Mungo Thomson
2010In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Jedediah Caesar
2010After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Chris Johanson
2010Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Karl Haendel
Drawing & Print
2011(Drawing & Print) Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Lucas Blalock
2011Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Mark Bradford
Drawing & Print
2012(Drawing & Print) This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Juan Capistran
2012The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Jeff Burton
2012In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Pedro Reyes
2012Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Tuan Andrew Nguyen
2012This work presents the image of an immolated monk engraved on a baseball bat...
Brian Bress
2013Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Miljohn Ruperto
2013Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Rodney McMillian
2013In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Mungo Thomson
2014Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Claudia Joskowicz
2014Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
João Maria Gusmão and Pedro Paiva
2015The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Colectivo Los Ingrávidos
2017The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Walead Beshty
2018Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
Bayrol Jiménez
2018Sombras de los Valles (Shadows of the Valleys) is part of a series of works created by Bayrol Jiménez in which he is influenced by hand-painted signs and large billboards in Mexico...
Mercedes Dorame
2018Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
Dannielle Bowman
2019Vision (Bump’n’Curl) by Dannielle Bowman is from a series of photographs titled What Had Happened ...
-
2020-2029
Manuel Solano
2020Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface...
rafa esparza
2020thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
Nao Bustamante
Advanced Technology
2021(Advanced Technology) The Wooden People is a 360º virtual reality film series comprising seven episodes...
